This page may contain affiliate or sponsored links. MyActiveChild.com will be compensated if you make a purchase after clicking on an affiliate link, and the presence of our sponsors/advertising partners is what makes this website possible. Thank you for supporting us. For more information, see our terms of use.
- This event has passed.
Art History Livestream – Frederic Remington Film & Lecture (Online)
June 5 @ 8:00 pm - June 6 @ 10:00 pm
FreeWe invite you to a special two-part art history program on the life and career of Frederic Remington , and the art of the American West.
Part 1, on Thursday, June 5, will be a screening of the film “Frederic Remington: The Truth of Other Days”.
Part 2, on Friday, June 6, will be an art history lecture on the life and artistic career of Frederic Remington.
Part 1, on Thursday, June 5, will be a screening of the film “Frederic Remington: The Truth of Other Days”.
Part 2, on Friday, June 6, will be an art history lecture on the life and artistic career of Frederic Remington.
Frederic Remington: The Truth of Other Days
Frederic Remington: The Truth of Other Days is a 1991 documentary film of American Western artist Frederic Remington made for the PBS series American Masters. It was produced and directed by Tom Neff and written by Neff and Louise LeQuire. Actor Gregory Peck narrated the film and Ned Beatty was the voice of Remington when reading his correspondence.
The documentary was produced by the Metropolitan Museum of Art, New York; NHK Corporation (Japan); and Polaris Entertainment, Nashville, Tennessee. It was the first documentary to be filmed in High Definition Television (HDTV), but at the time it was years away from high-definition television broadcasting.
Frederic Remington: The Truth of Other Days is a 1991 documentary film of American Western artist Frederic Remington made for the PBS series American Masters. It was produced and directed by Tom Neff and written by Neff and Louise LeQuire. Actor Gregory Peck narrated the film and Ned Beatty was the voice of Remington when reading his correspondence.
The documentary was produced by the Metropolitan Museum of Art, New York; NHK Corporation (Japan); and Polaris Entertainment, Nashville, Tennessee. It was the first documentary to be filmed in High Definition Television (HDTV), but at the time it was years away from high-definition television broadcasting.